041017 S 24x30 Morning Glories, Hollyhocks, and Poppies by the Creek, PART THREE

This is PART THREE of a three part blog about the creations for a recent commission project.  This is the second of two paintings I created for the project.  You can see the design process in the PART ONE blog. You can see the first painting HERE in PART TWO.   

To summarize, Beth and Andy wanted a flower scene with lots of purple:  blue-purples, red-violets, blues.  The water needed to be a darker cobalt blue, not a turquoise or cerulean blue.  They liked certain elements in various paintings that they saw in my studio/gallery during a visit.  So I took notes and then pulled out the paintings and/or printouts of what they liked.  

I started with a sketch that includes writing out what I what where and what colors and flowers I want to emphasize.

Then I sketch out the idea on a prepared panel using a brush dipped in cold pressed linseed oil and magenta mixed with cerulean blue pigment.  

I mix up a dark value using Cadmium Red Medium and Ultramarine Blue and use that on the edges of the creek.  I mix up a dark green for the background trees using Ultra Blue, Cadmium Yellow Light, and a touch of Cad. Red Med. and/or Primary Red-Magenta.  

I use Ultramarine Blue with a touch of Titanium White for the water in the creek. I also add in some dark, rusty ochers in the water where the earth and rocks underneath color the water. I start painting in the morning glories with dark purples mixed from various combinations of Ultra. Blue or Cerulean Blue with Magenta gradually adding lighter values mixed with white. 

The green foliage in the middle ground space is mixed using primarily Cerulean Blue(a warmer blue than Ultramarine) and Cadmium Yellow Light.  More blue is used in the background greens to help the space recede.  Magenta and Cadmium Red are also mixed in sparingly for shadows and dips in the topography.

More dark background foliage in the trees is added.  Leaves are added to the Morning Glories.

The sky, mixed with Cerulean Blue and Titanium White, is popped in the negative space around the trees.

Bright zinnias are added to the background, dancing across the trees.  The zinnias are mixed from various combinations of magenta, cadmium red, yellow, and blue.  Bright poppies from pure Cadmium Red Medium and Light are added to their complementary color, green.  Using complementary colors next to each other cause them to vibrate optically and create visual excitement.

More flowers are added throughout the painting.  A pale violet color is mixed using lots white with purple.  Yellow is used sparingly.  Hollyhocks are painted in.  Goldfish are added to the creek and a waterfall is painted in.  Final details are added to the foreground flowers.  And the final painting(below):

"Morning Glories, Hollyhocks, and Poppies by the Creek", Code #031017 24x30, oil on panel, 24" x 30", c. 2017, by Charlene Marsh. SOLD

And so which painting did Andy and Beth select?  While they loved both paintings, they selected this one, the second one!  I thought they might because it made the purples and blue-purples the stars of the painting more than the first one(which is fabulous in it's own right).
 

You can see the design process in PART ONE and the creation of the first painting in PART TWO.  

Thanks for following along.

Happy Trails!

Cheers,

Charlene

032417 Commission Project, PART ONE

This is PART ONE of a three part blog about a recent commission project.  PART ONE discusses the evolution and inspiration of the project.  PART TWO covers how the first oil painting was created and PART THREE shows the creation of the second painting.  My clients were then shown both paintings and given a choice of their favorite between the two paintings.  I'll let you know which one they selected in PART THREE so stay tuned.

While visiting the studio/gallery, Andy and Beth looked through the paintings I had in my inventory and picked out various ones they liked.  But they needed a specific size for their bedroom and nothing I had on hand fit what they wanted.  I told them I could paint a painting as a commission project and take into consideration and incorporate exactly what they wanted.

"Poppies and Hollyhocks by the Creek", Code #032416 24x36, oil on panel, 24" x 36", c. 2016 by Charlene Marsh 

Beth really loves purples.  All kinds of purple!  Especially blue-purple.  But she also loves red-violets and blues.  She wanted a flower painting with these colors highlighted.  Pinks and magentas were fine, too.

Beth not only loved the flowers in this painting(above) but the waterfall in it so we wanted to incorporate a waterfall in the final painting for their home.

"Zinnias, Marigolds, & Mums by the Goldfish Pool", Code #091116 12x16, plein air oil on panel, 12" x 16", c. 2016 by Charlene Marsh 

She loved the dark water in the goldfish pool(above) as well as the color of the flowers and the habenero hot pepper plant on the right side although purples had to predominate.

"Lilies by the Goldfish Pool with Glass Bird Bath", Code #070214 12x16, plein air oil on panel, 12" x 16", c. 2014 by Charlene Marsh 

Beth liked the very pale yellow flowers in the lower left of the painting (above) as well as a few poppies.

"Morning Glories", Code #081215 12x12, plein air oil on panel, 12" x 12", c. 2015 by Charlene Marsh  SOLD

After they left the studio, I looked through printouts of past, sold paintings and pulled a few other images that I thought met their criteria and would be good inspiration.  The blue and blue-purple morning glories (above) would be perfect for the painting.  
 

"Purple Ironweed", Code #082316 9x12 no2, plein air oil on panel, 12" x 16", c. 2016 by Charlene Marsh  SOLD

All this purple ironweed(above) definitely fit the bill! 

"Magic Lilies and Hollyhocks", Code #112415 12x12, oil on panel, 12" x 12", c. 2015 by Charlene Marsh  SOLD

I love the Magic Lilies and Hollyhocks in this painting(above) especially vibrating against the green foliage.

So I arranged a couple original paintings to the left of my easel and made a bulletin board of six printouts of past paintings to use for inspiration and reference while working on the commission piece.  You can see the set up in my studio in the photo above.  My palette is on the right side with extra palette knives, paint, and paper towels on the left.

So, with a firm foundation of what my clients want and what direction I want to take the painting, I am ready to get started.  

Please visit PART TWO to see how the first painting in this project was created.  PART THREE with the second painting is now up and you can see which painting Andy and Beth selected.

Thanks for following along!

Happy Trails!

Cheers,

Charlene 

091116 16x20 no1 Morning Glories, Ironweed, and Glass Sculpture

This plein air, oil painting depicts the Morning Glories, Ironweed, and one of the glass sculptures in my yard that I make from recycled glass.  I did this painting as part of the Brown County Art Guild Paint Out.

  

"Morning Glories, Ironweed, and Glass Sculpture, September 11, 2016", plein air oil painting, 16" x 20", c. Charlene Marsh

Happy Trails!

Charlene 

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